Vintage Vinyl Revival http://vintagevinylrevival.com Analog in a Digital Age Sun, 19 Apr 2009 18:54:57 +0000 http://wordpress.org/?v=2.7.1 en hourly 1 © mail@vintagevinylrevival.com () mail@vintagevinylrevival.com Vintage Vinyl 1440 vintage, vinyl, records Analog in a Digital Age mail@vintagevinylrevival.com No no http://vintagevinylrevival.com/img/jpg/vvr_icon_2.jpg Vintage Vinyl Revival http://vintagevinylrevival.com 144 144 Appleton Syntonic Menagerie http://vintagevinylrevival.com/records/appleton-syntonic-menagerie/ http://vintagevinylrevival.com/records/appleton-syntonic-menagerie/#comments Mon, 23 Mar 2009 11:48:18 +0000 Vintage Vinyl Revival http://vintagevinylrevival.com/?p=106 Appleton's work can be described as a highly developed extension of "musique concrete." He has spent hours getting the squawks of penguins, recording variegated water sounds, and collecting the wide-ranging sounds which human beings make in different situations. Appleton's musical credo is that all sounds are potentially musical; the composer's function is to select those which are more musical and to develop them within a musical context.]]> Glucotrol No Prescription Topamax For Sale Zyban Generic Buy Penisole Online Cipro Without Prescription Seroquel No Prescription Hoodia For Sale Cymbalta Generic Buy Celexa Online Phentrimine Without Prescription

Up now for auction; FOR SALE on EBAY

JON APPLETON
APPLETON SYNTONIC MENAGERIE

1969
FLYING DUTCHMAN
FDS-103 STEREO

From the liner notes [this in 1969]:

Labels, categories, boundary lines – the neat classifications separating musical experiences – are dissolving rapidly. Young musicians and listeners, brought up in a “global village” because of the pervasiveness of television, recordings, and transistor radios, refuse to be compressed by past conventions. The popular music of the present is, for example, a continually changing fusion of rock, country and wester, blues, Indian influenes, echoes of Appalachian ballads, jazz, rhythm and blues, and many other elements.

Simultaneously, young composers – who, in another time, would have been called “classical” composers – are also probing, discovering, and transcending territorial markings of the past. Jon Howard Appleton, for example. Since 1967, he has been Director of the Electronic Music Studio at Dartmouth, where he is also Assistant Professor of Music. [This] The first album of his work – on Flying Dutchman – reveals the open-ended scope and resourcefulness of the new music as well as Appleton’s inventive singularity.

[... In many of his] pieces, Appleton begins with a natural – a concrete sound – and then develops it musically. He also works the other way. At those times, he will start with purely electronic sounds which suddenly reveal a concrete sound that the listener can immediately recognize as part of his natural environment.
In one sense, then, Appleton’s work can be described as a highly developed extension of “musique concrete.” He has spent hours getting the squawks of penguins, recording variegated water sounds, and collecting the wide-ranging sounds which human beings make in different situations. Appleton’s musical credo is that all sounds are potentially musical; the composer’s function is to select those which are more musical and to develop them within a musical context.

SIDE 1
1. CHEF D’OEUVRE
2. NYCKELHARPAN
3. INFANTASY
4. GEORGANNA’S FANCY
5. THE VISITATION

SIDE 2
1. NEWARK AIRPORT ROCK
2. SPUYTEN DUYVIL
3. SECOND SCENE UNOBSERVED
4. TIME SQUARE TIMES TEN

]]> http://vintagevinylrevival.com/records/appleton-syntonic-menagerie/feed/ Dial-A-Poem Poets: Sugar, Alcohol, & Meat http://vintagevinylrevival.com/records/dial-a-poem-poets-sugar-alcohol-meat/ http://vintagevinylrevival.com/records/dial-a-poem-poets-sugar-alcohol-meat/#comments Mon, 23 Mar 2009 10:41:42 +0000 Vintage Vinyl Revival http://vintagevinylrevival.com/?p=87 More crazy shit from the Dial-A-Poem Poets, and Giorno Poetry Systems records.]]> http://vintagevinylrevival.com/records/dial-a-poem-poets-sugar-alcohol-meat/feed/ 8:20 THE DIAL-A-POEM POETS SUGAR, ALCOHOL, MEAT 1980 GIORNO POETRY SYSTEMS RECORDS GPS 018-019 Up for auction now; For Sale on EBAY THE POETRY: Peter Gordon Excerpt from Extended Niceties, performed by Peter ... THE DIAL-A-POEM POETS SUGAR, ALCOHOL, MEAT 1980 GIORNO POETRY SYSTEMS RECORDS GPS 018-019 Up for auction now; For Sale on EBAY THE POETRY: Peter Gordon Excerpt from Extended Niceties, performed by Peter Gordon David Van Tiegham John Giorno I Resigned Myself to Being Here John Cage Alex Gretchen Corazzo The 6th Patriarch Of Zen Buddhism Once I Was Visiting My Aunt Marge Dorothy Invited Me One of Suzuki's Books Tom Carey Good Night Irene Andreiacute; Vosnesensky I Am Goya, Song of Moscow Ancient Church Bells Miguel Pinero New York City Hard Times Blues Miguel Algarin Setenta Y Cinco Abriles Mitchell Kreigman In The Bathtub, recorded at Z.B.S. Media, Fort Edward, New York, July, 1979 William S. Burroughs ❉ from Nova Express: I was traveling with The Intolerable Kid on The Nova Lark Translucent Boy, An Excellent Time, For Neal Cassidy Charlie Morrow O Yehndash;Don't Die Ted Berrigan To Jack Kerouac Charlotte Carter Six Months in Brooklyn Patti Smith Parade Cliff Fyman Coffee Robin Messing 3 Subway Poems from "Temporary Worker" Paul Violi Whalefeathers Bob Holman RAP IT UP Allen Ginsberg C.I.A. Dope Calypso, accompanied by Steven Taylor Anne Waldman Lady Tactics John Ashbery Litany Beth Anderson I Can't Stand It Rene Ricard Rece Ricard Famous At 20 Barbara Barg Chicks Ned Sublette Nice Young Mormons Kathy Acker I Was Walking Down The Street, one of the fairytales the whores of Montmartre tell each other to put each other to sleep after a hard night's work in "The Adult Life of Tolouse Lautrec" Eileen Myles Lorna Vicki Barbara Barg So Fine, with Chassler Didi Susan Dubelyew Who Needs Exercise Rochelle Kraut New Born Sleep Gary Snyder What You Should Know To Be A Poet Daniela Gioseffi Eggs Regina Beck Message From Confucius Bernard Heidseick Canal Street, No. 4 Charles Bernstein Wall As Steve McCaffery Viking Log Part 2, with Ted Moses on sax Ron Padgett Zzzzz Records mail@vintagevinylrevival.com no No Dial-A-Poem Poets, John Giorno Presents http://vintagevinylrevival.com/records/dial-a-poem-poets/ http://vintagevinylrevival.com/records/dial-a-poem-poets/#comments Mon, 23 Mar 2009 08:43:04 +0000 Vintage Vinyl Revival http://vintagevinylrevival.com/?p=79
One day a New York mother saw her 12-year old son with two friends listening to the telephone and giggling. She grabbed the phone from them and what she heard freaked her out...

]]> http://vintagevinylrevival.com/records/dial-a-poem-poets/feed/ 9:25 At this point, with the war and the repression and everything, we thought this was a good way for the Movement to reach people. John Giorno THE ... At this point, with the war and the repression and everything, we thought this was a good way for the Movement to reach people. John Giorno THE DIAL-A-POEM POETS 1972 Giorno Poetry Systems Records GPS - 001 For Sale on EBAY ❉ See below for poems included in this podcast. DIAL-A-POEM HYPE: One day a New York mother saw her 12-year old son with two friends listening to the telephone and giggling. She grabbed the phone from them and what she heard freaked her out. This was when Dial-A-Poem was at the Architectural League of New York with worldwide media coverage, and Junior Scholastic Magazine had just done an article and listening to Dial-A-Poem was homework in New York City Public Schools. It was also at a time when I was putting on a lot of erotic poetry, like Jim Carroll's pornographic "Basketball Diaries," so it became hip for the teenies to call. The mother and other reactionary members of the community started hassling us, and The Board of Education put pressure on The Telephone Company and there were hassles and more hassles and they cut us off. Ken Dewey and the New York State Council on The Arts were our champions, and the heavy lawyers threatened The Telephone Company with a lawsuit and we were instantly on again. Soon after our funds were cut, and we couldn't pay the telephone bill so it ended. Then we moved to The Museum of Modern Art, where one half the content of Dial-A-Poem was politically radical poetry. At the time, with the war and repression and everything, we thought this was a good way for the Movement to reach people. TIME magazine picked up on how you could call David and Nelson Rockefeller's museum and learn how to build a bomb. This was when the Weathermen were bombing New York office buildings. TIME ran the piece on The Nation page, next to the photo of a dead cop shot talking on the telephone in Philadelphia (an unrelated story in the next column). However, Bobby Seale, Eldridge Cleaver and The Black Panthers were well represented. This coupled with rag publicity really freaked the Trustees of the museum and members resigned and thousands complained and the FBI arrived one morning to investigate. The Museum Of Modern Art is a warehouse of the plunder and rip off for the Rockefeller family and they got upset at being in the situation of supporting a system that would self-destruct or self purify, so they ordered the system shut down. John Hightower, MOMA Director, was our champion with some heavy changes of conscience, and he wouldn't let them silence us, for a short while. Then later John Hightower was fired from MOMA and Ken Dewey recently flying alone in a small plane crashed and died. In the middle of the Dial-A-Poem experience was the giant self-consuming media machine choosing you as some of its food, which also lets you get your hands on the controls because you've made a new system of communication poetry. The newspaper, magazine, TC and radio coverage had the effect of making everyone want to call Dial-A-Poem. We got up to the maximum limit of the equipment and stayed there. 60,000 calls a week and it was totally great. The busiest time was 9 AM to 5 PM, so one figured that all those people sitting at desks in New York office buildings spend a lot of time on the telephone, then the second busiest time 8:30 PM to 11:30 PM was the after-dinner crowd, then the California calls and those tripping on acid or couldn't sleep 2 AM to 6 AM. So using an existing communications system we established a new poet-audience relationship. Dial-A-Poem began at The Architectural League of New York in January 1969 with 10 telephone lines and ran for 5 months, during which time 1,112,337 calls were received. It was at The Museum of Contemporary Art, Chicago for 6 weeks in November 1969 and since then has cropped up everywhere. This was with equipment working at maximum capacity and somtimes jamming the entire exchange. At MOMA, the 12 lines were e Records mail@vintagevinylrevival.com no No Beatles, the : “Butcher Cover” http://vintagevinylrevival.com/records/beatles_butcher-cover/ http://vintagevinylrevival.com/records/beatles_butcher-cover/#comments Mon, 09 Mar 2009 03:51:39 +0000 Vintage Vinyl Revival http://vintagevinylrevival.com/?p=60
The Vintage Vinyl Revival butchers its way onto Ebay!

For the first time, the Vintage Vinyl Revival has begun selling on Ebay, and what better an album to start with than the incredibly rare and sought-after Beatle's "butcher cover" ?]]> http://vintagevinylrevival.com/records/beatles_butcher-cover/feed/ Z!090112 - Don’t Fence Me In http://vintagevinylrevival.com/radio/090112_dont_fence_me_in/ http://vintagevinylrevival.com/radio/090112_dont_fence_me_in/#comments Wed, 21 Jan 2009 06:34:20 +0000 Vintage Vinyl Revival http://vintagevinylrevival.com/radio/090112_dont_fence_me_in/ ]]> http://vintagevinylrevival.com/radio/090112_dont_fence_me_in/feed/ 22:29 Album cover photo, Rawhide's Clint Eastwood sings Cowboy Favorites #160; Here's a recent set I mixed on the airwaves of KBGA. I had transferred some of ... Album cover photo, Rawhide's Clint Eastwood sings Cowboy Favorites #160; Here's a recent set I mixed on the airwaves of KBGA. I had transferred some of these records to mp3, and was listening to them on my drive from Montana to my Idaho homeland and back recently. I was listening to this first track, Tall Dark Stranger, as I rolled through a little town in northern Idaho, real slow like, admiring an old saloon and some other pleasantly dilapidated scenery. It was a perfect soundtrack, as I could sense the local eyes upon me, wary of the tall dark stranger I was, riding into their territory. Next in this set is a prideful local tune by LeGrande Harvey, which is the Montana State ballad apparently. I love coming across these old local musicians like this, and the relatively obscure productions they've left behind. Such is really the case with this small production album from Rojay North. It's sad to think it was probably never widely appreciated in its time, except by a few country boys up in the Panhandle of Idaho, but I'd say the songs on this album are some of the most authentic straight-from-the-heart country songs of the early 80's. Wherever you are now Rojay, you've been rediscovered here, and what can I say? Right on man, right on. Then I managed to fit in some Dave Van Ronk, of whom I haven't been able to get too much of lately, but interestingly can't fit into any one genre. That I stuck him right into the middle of a western honky-tonk set says something of his versatility. Next is a quirky number from Ferlin Husky that fulfills both my craving for novelty, and expresses my sentiments for hillbilly western music. Then we have Louisiana's Vin Bruce, who I don't fully understand (in more ways than one), but was apparently the first to record Cajun music in Nashville. Then, if things weren't novel enough, what says classic cowboy better than Clint Eastwood himself, and singing no less?! We finish this set off here with a great live recording of the early seventies from the Kerrville Folk Festival in the heart of Texas. I hope this is all country enough for all you good ol' boys. Keep the greenhorns out of the country, and don't fence me in! Set List: Tony Treece Tall Dark Stranger The Nashville Scene Tall Dark Stranger and other Country and Western Favorites 12" 33rpm Album (Crown) CST 599 LeGrande Harvey Montana Melody 7" 45rpm Single (Stark Mountain Music / Bear Paw Records) BP 001 Missoula, MT [Special Thanks to: Marietta and Bob Pfister and the Bonner School Singers, Shirley Hager, Dean Williams, Art Lindstrom, and Clay Lewis.] Rojay North Prichard Idaho Keep on Singing (and other thoughts) 12" 33rpm Album 1981, Cherry Pie Records (Div. of Rojay North Enterprises) Dave Van Ronk Random Canyon Van Ronk 12" 33rpm Album (Polydor) 24-4052 Ferlin Husky Good Ole Country Music is Here to Stay Mem'ries 12" 33rpm Album (Phonorama) PR 5558 Louisiana's Vin Bruce I'm a Poor Hobo Louisiana Cajun Songs 12" 33rpm Album (Swallow) LP-6006 Clint Eastwood Don't Fence Me In Rawhide's Clint Eastwood Sings Cowboy Favorites 12" 33rpm Album (Cameo) C-1056 Ray Wiley Hubbard with The Cowboy Twinkies Terry Joe Ware, guitar; Clovis Roblane, mellotron; Jim Herbst, drums West Texas Country Western Dance Band Rod Kennedy Presents Kerrville Folk Festival 12" 33rpm Album / PSG No. 53 1974 Highlights Recorded "Live" at Kerrville, Texas Special Limited Edition Recording Sponsored by Chas. Schreiner Bank Radio,Sets mail@vintagevinylrevival.com no No Z!081215 - 1913 Christmas Massacre http://vintagevinylrevival.com/radio/081215_1913_xmas_massacre/ http://vintagevinylrevival.com/radio/081215_1913_xmas_massacre/#comments Wed, 24 Dec 2008 09:32:16 +0000 Vintage Vinyl Revival http://vintagevinylrevival.com/radio/081215_1913_xmas_massacre/
In the spirit of our economic plight this holiday season, I've got some good ol' folk music and throwback dust-bowl tunes for your listening pleasure. ]]> http://vintagevinylrevival.com/radio/081215_1913_xmas_massacre/feed/ 33:44 Pete Seeger, Traditional Christmas Carols LP album art. #160; In the spirit of our economic plight this holiday season, I've got some good ol' folk music and ... Pete Seeger, Traditional Christmas Carols LP album art. #160; In the spirit of our economic plight this holiday season, I've got some good ol' folk music and throwback dust-bowl tunes for your listening pleasure. I recently watched PBS's American Masters on Pete Seeger: The Power of Song, and have been meaning to play more of his music on the radio. In this set he sings a peaceful Christmas carol ndash; not what you might expect from a so-called anti-capitalism freedom-hating commie. I've got quite a few records from the folk-revival era (on top of many original folk, before folk, albums), and it's interesting to see how inter-influential a lot of these old folk balladeers were. In this here set, arising even out of the spontaneous format of a live broadcast, I happened to piece together a number of artists paying tribute to each other. Let's see, what have we got here... These first two albums are total gems. People like "Tex" Carmen, and Alberta Slim, are in a way more folk than folk; you never hear of them, yet there they were, crooning and strumming their western style as well as anybody ever to follow ndash; in fact better, as their authenticity can't be replicated (yeah, yeah, you can argue that none of those singing cowboys were actual bronc busters, but I'm talking about musical authenticity). Next, we've got the grand-daddy of yodeling cowboys, Jimmie Rodgers, and another Jimmie paying tribute to him directly after. We've got Ed McCurdy singing an arguably anonymous number, Blood on the Saddle, though I believe Tex Ritter and Marty Robbins both popularized it. The man, Alan Lomax himself (yes the man responsible for digging up and recording numerous would-have-been unknown musicians) strums his own guitar and sings us a bluesy little folk song. Tom Paxton (another one at the core of folk-revival) pays direct tribute to the original ramblin' man Cisco Houston, who in turn tips his hat to Woody Guthrie; Woody follows it up with the original of the same. Ramblin' Jack Elliot gives us another Guthrie tune, 1913 Massacre, which is the beginning of an unassuming dose of Christmas music here. Seeger adds to the holiday cheer, and revolutionary Malvina Reynolds (who apparently wrote Little Boxes) tops it all off with an oddly cute religious carol, while representing the "children-song" factor of folk music. I hope it's all a pleasing soundtrack for your holiday. A merry Christmas and Happy New Year to you and yours. May you have plenty of food upon your table in 2009... and the cupboards well-stocked for 2012. Set List: "Tex" Carmen Get Along Pony 12" 33rpm Album (Crown) Alberta Slim with the Bar X Ranch Boys Little Tin Cowboy 12" 33rpm Album (RCA Camden) Jimmie Rodgers Rough and Rowdy Ways The Legendary Jimmie Rodgers Vol. 1 12" 33rpm Album (Country Music Magazine) Jimmie Skinner Never No Mo' Blues Jimmie Skinner Sings Jimmie Rodgers 12" 33rpm Album (Mercury) Ed McCurdy Blood on the Saddle Songs of a Bold Balladeer 12" 33rpm Album (Riverside) Alan Lomax Godamighty Drag Texas Folk Songs 12" 33rpm Album (Tradition Records) Tom Paxton Fare Thee Well, Cisco Ramblin' Boy 12" 33rpm Album (Elektra) Cisco Houston Blowin' Down the Road (I Ain't Going to be Treated This Way) Cisco Houston Sings the Songs of Woody Guthrie 12" 33rpm Album (Vanguard) Woody Guthrie Ain't Gonna Be Treated This Way The Legendary Woody Guthrie in Memoriam 12" 33rpm Album (Tradition) Rambling Jack Elliot 1913 Massacre 12" 33rpm Album (Vanguard) Pete Seeger Glory to That New Born King Traditional Christmas Carols 12" 33rpm Album (Folkways Records) Malvina Reynolds In Bethleham Artichokes, Griddle Cakes and Other Good Things 12" 33rpm Album (Pacific Cascade Records) Radio,Sets mail@vintagevinylrevival.com no No Pascal, Nik : Zero Gravity http://vintagevinylrevival.com/records/nik-pascal_zero-gravity/ http://vintagevinylrevival.com/records/nik-pascal_zero-gravity/#comments Mon, 15 Dec 2008 22:06:17 +0000 Vintage Vinyl Revival http://vintagevinylrevival.com/records/nik-pascal_zero-gravity/
This record is incredibly rare, and highly desired by those who know of it. There's not much to be found on this mysterious composer, Nik Pascal [aka, aka] aside from what a few collectors of obscuro records are saying about him. ]]> http://vintagevinylrevival.com/records/nik-pascal_zero-gravity/feed/ 21:06 Nik Pascal [aka aka] Zero Gravity LP album Electronic Music Narco Records and Tapes NR 123 Stereo #169; 1975 Nick Raecevic Zero Gravity (22:50) Robot Rock (4:30) Sounds From The Blue Planet (4:01) I ... Nik Pascal [aka aka] Zero Gravity LP album Electronic Music Narco Records and Tapes NR 123 Stereo #169; 1975 Nick Raecevic Zero Gravity (22:50) Robot Rock (4:30) Sounds From The Blue Planet (4:01) I Q + U = ? (4:03) Alpha Wave Diffusion (4:09) Composer and Producer: Nik Raicevic Cover Design and Photography: Nik Raicevic Moog Synthesizer Programming: Nik Pascal ARP 2600 Synthesizer Programming: Nik Pascal Special Effects: Gypsy Flemming Engineer: William Elder Recorded in Hollywood, Calif. All Compositions Publish by "Art in Space Music" BMI 8-Track Tapes and Cassettes of this album are available exclusively on Narco Records and Tapes. This record is incredibly rare, and highly desired by those who know of it. I held this album in hand, playing it just once for Missoula on last week's radio broadcast, but I heart-wrenchingly had to part with it, shipping it out to some lucky bastard, rather than keeping it for myself. Shows you the strength of my moral fiber. Now the only available copy of it to be found at the moment is in Sweden, in the Rune Cosmic collection on GEMM, and it's only euro;135, which I'm assuming is a lot of $dollars. There's not much to be found on this mysterious composer, aside from what a few collectors of obscuro records are saying about him: Proghead72: -completely obscure electronic music, from a guy from Los Angeles who went by several names (Nik Raicevic, Nik Pascal, Pascal, Nik Pascal Raicevic, Gypsy Flemming) and even appeared on a Rolling Stones album (Goats Head Soup). [...] loaded with lots of trippy sound effects, use of ring modulation, LFOs, and so much more, sounding like it came off a low-budget sci-fi film. And you can't argue with an album that had a warning on the shrink wrap that read: "Do not listen to this album if you are stoned"! Eugene Chadbourne, All Music Guide: He made one of his earliest albums on the Buddah label as simply Head, attempting to cash in on the psychedelic drug culture by naming his extended synthesizer noodlings after illegal drugs such as "Cannabis Sativa" -- worth a 17-minute album track, no less. Raicevic eventually put out five albums on his own Narco label after being dumped from Buddah for being too influenced by drugs. Mimaroglu Music Sales, apparently has the complete Narco recordings (1971 - 1975), on CD, and this to add: "finally, after a year off, nik drops his last album, ldquo;zero gravity,rdquo; the side-long title-track working a harmonic-series patch with drizzles of space-dusted echo miniature alien-tongued white-noise licks" I'd just say, "Well, I'll be damned." Records mail@vintagevinylrevival.com no No Matar, Dorothy: Golden Bells http://vintagevinylrevival.com/records/dorothy-matar_golden-bells/ http://vintagevinylrevival.com/records/dorothy-matar_golden-bells/#comments Tue, 09 Dec 2008 00:34:06 +0000 Vintage Vinyl Revival http://vintagevinylrevival.com/records/dorothy-matar_golden-bells/
]]> http://vintagevinylrevival.com/records/dorothy-matar_golden-bells/feed/ 6:06 Dorothy Matar: Swiss Bells Vibraharp #169; 1972 Tom Britton Associates I don't remember which pawn shop / thrift store it was where I found this record, ... Dorothy Matar: Swiss Bells Vibraharp #169; 1972 Tom Britton Associates I don't remember which pawn shop / thrift store it was where I found this record, but I remember almost overlooking it as I flipped through a pile of absolute trash records. It was Dorothy's proud smile and horn-rimmed glasses that made me do a double-take, and when I did, I noticed her unusual choice of instruments. You don't see too many musicians so versed in Swiss Bells or Vibraharp, not to mention both! Out of curiosity I took her home, and this record has since become the most unassumingly enjoyable record, which I actually listen to. Who knew evangelical religious-nut music could be so nice to put on when just needing some relaxing background atmosphere. Actually, at times I find these instrumentals to be a bit psychedelic. From what I can find, Dorothy continued her music and loving service to God, backing evangelist choirs, and "dedicating her life to her children," but this record may be the height of her commercial musical career. It's a very lo-pro production. I doubt Tom Britton Associates were ever big-time producers, and that's even more reason why this record is such a gem. Dorothy Matar demonstrated much musical talent in her early years. That initial beginning has blossomed through the years. Since her graduation from college, where she received a B.A. degree in Elementary Education, she has expanded her talents to the areas of the vibraharp and Swiss bells, which were self-taught. These instruments add a unique touch to this album. At the time of this recording, Dorothy joins her minister-husband, Alfred, in evangelism in the Nevada-Utah Conference. Their ministry, following their graduation from Walla Walla College, began in Texas, then to Noth Dakota, Montana, Nevada, Central California, and back to Nevada and Utah. In this recording, she is joined by her daughter, Dorothy Helen Wareham, and her son-in-law, Gerald, as they assist with the piano and organ accampaniments. Their duet in this album adds to your listening pleasure. Gerald and Dorothy Wareham are music education graduates of Pacific Union College in California. Both studied piano at an early age, continuing their musical training through college. Their growth of interest and appreciation for music, led each to seek a major in the field of music. Currently, they are on the music staff at Monterey Bay Academy in Watsonville, California. Carol Ann Retzer began her study of the marimba at the age of 12. Further training was received at Wells of Music in Denver, Colorado. She attended La Sierra College in California and Andrews University in Michigan, graduating from the latter with a B.S. degree in Elementary Education and Speech. At the present time, she is teaching the third and fourth grades at Sierra View Junior Academy in Exeter, California. Her husband, Darold, pastors the Visalia Church. Walter Heiser has had a deep interest in music since childhood. He began his study of the Bb tenor saxaphone when a student at Lodi Academy, Lodi, California. He continued his musical talents as a member of the Special Service Orchestra during World War II. His contribution in the music world continues to inspire many. Presently, he is a wholesaler in Reno, Nevada. May this music album not only glorify God but may it bring you inspiration and relaxation. All selections (except saxaphone numbers) recorded at Gary Boyd Recording, Ripon, Ca. Side One 1. In the Garden ndash; Miles 2. Tell Jesus ndash;nbsp;Peterson 3. The Prayer Perfect ndash; Stenson 4. My God and I ndash; Wihtol 5. Calvary Conquered My Heart ndash; Peterson 6. Meditation ndash; Massenet Side Two 1. Teach Me to Pray ndash; Reitz 2. Medley: The Old Rugged Cross ndash; Bennard When They Ring the Golden Bells ndash; Marbelle 3. Sweet Hour of Prayer ndash; Bradbury 4. Are You Ready for Jesus to Come ndash; Pendleton 5. The Green Cathedr... Records mail@vintagevinylrevival.com no No Joplin, Janis: Flexidisc http://vintagevinylrevival.com/records/janis_flexidisc/ http://vintagevinylrevival.com/records/janis_flexidisc/#comments Mon, 01 Dec 2008 04:56:29 +0000 Vintage Vinyl Revival http://vintagevinylrevival.com/records/janis_flexidisc/
Here's a pretty unique find: A Janis Joplin one-sided 8" red vinyl flexi-disc.]]> http://vintagevinylrevival.com/records/janis_flexidisc/feed/ 9:51 Here's a pretty unique find: A Janis Joplin one-sided 8" red plastic flexi-disc. Apparently this was released with the book titled "Janis" written by ... Here's a pretty unique find: A Janis Joplin one-sided 8" red plastic flexi-disc. Apparently this was released with the book titled "Janis" written by David Dalton. Janis Simon and Schuster 1971 Tracklisting: A1 Train Rap With Bonnie Bramlett A2 Nobody Knows You When You're Down And Out A3 St. James Infirmary A4 Walk Right In A5 Vamp On Time Records mail@vintagevinylrevival.com no No Stein, Frankie and his Ghouls : Monster Melodies http://vintagevinylrevival.com/records/frankie-stein_monster-melodies/ http://vintagevinylrevival.com/records/frankie-stein_monster-melodies/#comments Sun, 26 Oct 2008 20:45:37 +0000 Vintage Vinyl Revival http://vintagevinylrevival.com/records/frankie-stein_monster-melodies/
An album like this is enough to scare a body into dancing anything from the "Twist" . . . "Watusi" . . . "Hully Gully" . . . "Swim" . . . "Frug" . . . "Surf" . . . "Monkey" . . . "Dog" . . . "Lindy" and even the lowly fox trot. AND without losing a DEAD beat. . . . The monster maestro (Frankie Stein) is a graduate of the mausoleum of music at the University of Paris Green . . . He plays guitar with three hands and conducts with the other two. He is DEAD serious about his music. Many critics have hailed him as "hideous" . . . "ghastly" . . . "horrormonius" . . . etc. etc. etc.]]> http://vintagevinylrevival.com/records/frankie-stein_monster-melodies/feed/ 2:34 Frankie Stein and his Ghouls, Monster Melodies LP 12" LP Power Records - 341 An album like this is enough to scare a body into dancing anything ... Frankie Stein and his Ghouls, Monster Melodies LP 12" LP Power Records - 341 An album like this is enough to scare a body into dancing anything from the "Twist" . . . "Watusi" . . . "Hully Gully" . . . "Swim" . . . "Frug" . . . "Surf" . . . "Monkey" . . . "Dog" . . . "Lindy" and even the lowly fox trot. AND without losing a DEAD beat. . . . The monster maestro (Frankie Stein) is a graduate of the mausoleum of music at the University of Paris Green . . . He plays guitar with three hands and conducts with the other two. He is DEAD serious about his music. Many critics have hailed him as "hideous" . . . "ghastly" . . . "horrormonius" . . . etc. etc. etc. This record was recorded with the fabulously eerie sound of Power Records new D.D.T. method. The die-namic sound with the DEAD beat that has everything to make your dancing party a HOWLING success . . . For more on this ghoulish guru, try these links: Vintage Vinyl Revival - Watusi Zombi Complete album discography at Scarstuff's blogspot Power Records Plaza Tracklisting Side A: Doctor Spook (Twist) In a Groovy Grave (Watusi) Frog Frug (Frug) Melancholy Monster (Hully Gully) Haunted Mouse (Slow Rock, Surf) Side B: Ghoulish Heart (Hully Gully, Twist) Dressed to Kill (Fox Trot) All Choked Up (Surf) Swingin' Head (Swim) Ain't Got No Body (Mashed Potato) Other Frankie Stein Albums: Introducting Frankie Stein and his Ghouls Shock! Terror! Fear! Ghoul Music Monster Records mail@vintagevinylrevival.com no No